No Way Through
2025
Construction Foam, Used Wedding Dress, Found Object, Hair, Wax, Bones
108"x24"x18"
Within the Ghost Home framework, the ghost names what persists rather than what disappears, carrying erased histories, memory, and unresolved violence into the present. At the center of the room, a female figure is scaled beyond ordinary proportion, occupying the space in a way that cannot be overlooked. A single hook emerges from the abdomen, while hair extends outward from hanging lampshades transformed from the breasts, casting light downward from the body. Together, these elements stage the body as both ornament and injury, where illumination and restraint are produced through the same forms. Through the merging of feminized bodily experience and hallucination, the figure materializes as a ghost. What has been removed from narrative returns as physical presence. The home offers no passage. It holds what it cannot resolve.
在 Ghost Home 的框架中，“幽灵”并非指向消失之物，而是指向持续存在之物，将被抹去的历史、记忆与未被解决的暴力带入当下。房间中央，一具女性形体被放大至超出日常尺度，以一种无法被忽视的方式占据空间。一枚钩子从腹部延伸而出，毛发自由乳房转化而成的垂挂灯罩中向外投射，光线从身体向下洒落。这些元素共同构成一种结构，使身体同时作为装饰与伤害的载体，照明与约束在同一形式中被生产。 在女性化身体经验与幻觉的叠合中，形体以幽灵的状态显现。曾被叙事移除之物以物质形态返回。这个“家”并不提供通行的路径，而是保留并容纳其无法化解的部分。
Within the Ghost Home framework, the ghost names what persists rather than what disappears, carrying erased histories, memory, and unresolved violence into the present. At the center of the room, a female figure is scaled beyond ordinary proportion, occupying the space in a way that cannot be overlooked. A single hook emerges from the abdomen, while hair extends outward from hanging lampshades transformed from the breasts, casting light downward from the body. Together, these elements stage the body as both ornament and injury, where illumination and restraint are produced through the same forms. Through the merging of feminized bodily experience and hallucination, the figure materializes as a ghost. What has been removed from narrative returns as physical presence. The home offers no passage. It holds what it cannot resolve.
在 Ghost Home 的框架中，“幽灵”并非指向消失之物，而是指向持续存在之物，将被抹去的历史、记忆与未被解决的暴力带入当下。房间中央，一具女性形体被放大至超出日常尺度，以一种无法被忽视的方式占据空间。一枚钩子从腹部延伸而出，毛发自由乳房转化而成的垂挂灯罩中向外投射，光线从身体向下洒落。这些元素共同构成一种结构，使身体同时作为装饰与伤害的载体，照明与约束在同一形式中被生产。 在女性化身体经验与幻觉的叠合中，形体以幽灵的状态显现。曾被叙事移除之物以物质形态返回。这个“家”并不提供通行的路径，而是保留并容纳其无法化解的部分。