Was Pegasus Once the Butterfly That Dreamed of Sky?

Presented as part of the Ghost Home system, which treats the home as an uninhabitable structure shaped by absence rather than use. Furniture-like objects appear as dysfunctional forms, registering what remains when domestic function collapses. The table draws from the myth of Medusa and the birth of Pegasus, compressing a moment of transformation into an object. Cast glass objects combine bodily organs with everyday items and are enclosed like specimens. Through the translucency of glass, the body appears suspended and ghostlike, preserved and fixed as an object of observation within the domestic arrangement. The work proposes a reversal in which the trapped butterfly becomes Pegasus and carries the enclosure away, allowing the impossible home to release what it once confined.

作为 Ghost Home 系统的一部分，该项目将“家”视为一种无法被居住的结构，其形态由缺席而非使用所塑造。家具的物件以失效的形式出现，记录着当日常功能瓦解之后所遗留下来的状态。 桌子取材自美杜莎与飞马诞生的神话，将一次转化的瞬间压缩为一个物件。由铸造玻璃制成的物品将身体器官与日常用品结合，并以标本般的方式被封存。透过玻璃的半透明性，身体呈现为一种被悬置、幽灵般的存在，在家庭布置中被保存并固定为观看的对象。 作品提出了一种反转：被困的蝴蝶转化为飞马，驮着封闭的结构离开，使这个不可能居住的“家”释放出它曾经囚禁的事物。