The New Goddess |
火山怪兽与燃烧的水晶吊灯
2025
Single-channel Video
24 min
I present this myth as a moving image. The narrative begins in a locked room and centers on a mad woman's departure and return, unfolding through a river of reversed time. Moving between dream and myth, she travels through hallucinated encounters with shifting figures, guided by volcanoes, meteors, labyrinths, and lightning toward an adventure that exceeds everyday reality, before returning to a redefined notion of "home". The myth is structured in seven chapters, each corresponding to a set of concerns that intertwine rather than unfold sequentially. The journey operates as a connective structure by moving between scenes and spaces, carrying actions and objects from one context to another. Through this movement, narrative, sculpture, and performance are activated in relation to one another rather than operating as independent works.
我将这一神话以动态影像的形式呈现。 叙事始于一间上锁的房间，而核心是一场疯女人的出走与回归，通过一条时间倒流的河流，女人在梦境与神话中穿梭，她在幻觉中与不同的角色对话，火山、流星、迷宫、闪电共同指引她走向一种超越现实的冒险。最终回到一个被重新定义的“家”。 神话由七个章节构成，对应着我持续关注的议题，它们并非线性展开，而是在结构上彼此交织。这段旅程贯穿其中，通过在不同场景与空间之间的移动，将行动与物件不断带入新的语境。正是在这样的运动中，叙述、雕塑与表演相互牵引，被共同激活，形成一个彼此关联的整体，而非独立存在的作品。
I present this myth as a moving image. The narrative begins in a locked room and centers on a mad woman's departure and return, unfolding through a river of reversed time. Moving between dream and myth, she travels through hallucinated encounters with shifting figures, guided by volcanoes, meteors, labyrinths, and lightning toward an adventure that exceeds everyday reality, before returning to a redefined notion of "home". The myth is structured in seven chapters, each corresponding to a set of concerns that intertwine rather than unfold sequentially. The journey operates as a connective structure by moving between scenes and spaces, carrying actions and objects from one context to another. Through this movement, narrative, sculpture, and performance are activated in relation to one another rather than operating as independent works.
我将这一神话以动态影像的形式呈现。 叙事始于一间上锁的房间，而核心是一场疯女人的出走与回归，通过一条时间倒流的河流，女人在梦境与神话中穿梭，她在幻觉中与不同的角色对话，火山、流星、迷宫、闪电共同指引她走向一种超越现实的冒险。最终回到一个被重新定义的“家”。 神话由七个章节构成，对应着我持续关注的议题，它们并非线性展开，而是在结构上彼此交织。这段旅程贯穿其中，通过在不同场景与空间之间的移动，将行动与物件不断带入新的语境。正是在这样的运动中，叙述、雕塑与表演相互牵引，被共同激活，形成一个彼此关联的整体，而非独立存在的作品。